A tragic hero, according to Aristotle,  must(prenominal) evoke emotions from the audience, must   squeeze it on his faults at the end of the novel, and must be large  teeming to be appropriate for tragedy. Northrop Frye refers to these requirements when he says,  tragical heroes are so much the highest points in their human  grace that they seem the  indispensable conductors of the power about them, great trees  more(prenominal) likely to be struck by lightning than a  bunch of grass. Conductors may of  lam be instruments as  tumefy as victims of the divine lightening. He understands that a tragic hero, like Willy Loman in Death of a Salesman, by Arthur Miller, is more likely to be brought down than a common man because of his tragic  spot and that such a downfall  forget destroy himself as well as others around him. Willys reluctance to accept the  particular that he cant  earn the American  fantasy locks him into a  valet de chambre of lies, delusions, and self-denial. According to    Fuller, he is...a self-deluded man who has lost the power to  say between  cosmos and the obsessions that come to dominate his life. His American dream consists of easy  achievement and money. It is very important that he be well wish and uses this to measure other peoples status and their  victory in life.

 For example, in the beginning of Act Two he describes that he is  firing to form his own business that will be ...bigger than Uncle Charley! Because Charley is...not - well liked. He has an inflated sense of  self-exaltation and is more  have-to doe with with appearances than principles. His inability to face the actualities of his life    causes him  late to lose his  capture on rea!   lity. At times he realizes that he has not succeeded as a salesman, but is  unable to place...                                        If you want to get a full essay, order it on our website: 
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